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Kamath, Harshita Mruthinti
Impersonations
The Artifice of Brahmin Masculinity in South Indian Dance
Oakland, California: University of California Press, 2019. - 225 Seiten
ISBN 9780520972230

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Indien / Kuchipudi (Tanz) / Geschlecht / Schauspieler / Geschlechterrolle / Religion / Anthropologie

Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to donstri-vesam (woman's guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body instri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries-village to urban, Brahmin to non-Brahmin, hegemonic to non-normative-to explore the artifice of Brahmin masculinity in contemporary South Indian dance.

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